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[splinter end]

NamQuyên (Q) Võ Lê Sugiyama, MPH
  • Home
  • Writings
    • Blog
    • Theory and Practice in Contemporary Animation 2025
    • Advanced Animation Seminar 2024
    • A Movie Ticket Journal
    • Academia
    • Essays & Reviews
    • Recommended Resources
  • Film
    • I Never Picked Cotton
    • Mất Nước • We Can’t Go Back
    • Personalities of Public Health
    • Ebola: A Media Retrospective
    • Other Works
  • Photography
    • Australia
    • Baltimore
    • California
    • Chicago
    • Croatia
    • Italy
    • Japan
    • United States
  • Visualizations
    • Science/Medical Illustrations
    • Refugees Visualized
    • Red Panda Fútbol
    • Notes & Concept Art
    • Digital Comms Work
  • Digital Footprints
    • splinterend [IG - life]
    • q.le.sugiyama [IG - film]
    • Letterboxd
    • Tumblr
    • TikTok
    • Vimeo
    • LinkedIn
    • IMDb
    • Powerlifting America
    • USAPL
    • ORCiD
  • About
    • Her/She/Hers
    • Curriculum Vitae
  • Contact
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July 09, 2015
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avenging-hobbits:

10 Frames of Spielberg:

A.I. Artificial Intelligence

Year: 2001

Cinematographer: Janusz Kamiński

Aspect Ratio: 1.85:1

Tags: steven spielberg, a.i. artificial intelligence, cinematography
Comment
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July 09, 2015
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avenging-hobbits:

10 Frames of Spielberg:

Minority Report

Year: 2002

Cinematographer: Janusz Kamiński

Aspect Ratio: 2.35:1

Tags: steven spielberg, minority report, cinematography
Comment
wired:


wired:

The year was 1999, and Steven Spielberg was preparing to turn Philip K. Dick’s short story “The Minority Report” into a $100 million action movie starring Tom Cruise. There was just one problem: The story was set in the undated futu…

wired:

wired:

The year was 1999, and Steven Spielberg was preparing to turn Philip K. Dick’s short story “The Minority Report” into a $100 million action movie starring Tom Cruise. There was just one problem: The story was set in the undated future, and the director had no idea what that future should look like. He wanted the world of the movie to be different from our own, but he also wanted to avoid the exaggerated and often dystopian speculation that plagued most science fiction.

Inside Minority Report’s ‘Idea Summit,’ visionaries saw the future.

July 09, 2015
Source: https://t.umblr.com/redirect?z=http%3A%2F%2Fwww.wired.com&t=ODUyNjg0ZjBmZThhMTljZWFhZjM0NTRmMDA4MWRkNjEzOTA3NTEyOSwxMjM2OTY0OTI1MjM%3D&b=t%3AI2YIRd-TjInIwuNO7AnkJw&p=https%3A%2F%2Fsplinterend.tumblr.com%2Fpost%2F123696492523%2Fwired-wired-the-year-was-1999-and-steven&m=1 Tags: minority report, steven spielberg
Comment
misswallflower:

Sofia Coppola, Kirsten Dunst, “Marie Antoinette”by Brigitte Lacombe

misswallflower:

Sofia Coppola, Kirsten Dunst, “Marie Antoinette”

by Brigitte Lacombe

July 03, 2015
Source: https://misswallflower.tumblr.com/post/122324167855 Tags: Marie Antoinette, Kirsten Dunst, Sofia Coppola, film, female directors
Comment

June 08, 2015
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andreii-tarkovsky:

An Autumn Afternoon (1962)

Dir. Yasujirô Ozu

Source: https://andreii-tarkovsky.tumblr.com/post/120167859914/an-autumn-afternoon-1962-dir-yasujir%C3%B4-ozu Tags: yasujiro ozu, an autumn afternoon
1 Comment
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